Creating a rhythm with a synth voice using Banshee Reach as source and Dual Dagger resonant filter. All feeding Make Noise Mimeophon (with short "Karplus Strong" style delay times) controlled by our Mod Medusa to breathe life to the patch
Making rich, gritty, dense and spaced out bassline with Mutable Instruments Beads controlled by our Mod Medusa.
Last year summarized in less than a minute. Prototypes, teamwork, designs, (superbooth)posters,... we had a blast!
Keep your eyes peeled for 2023.
Another use of our Triple Steeple envelope in looped mode (and doing some AM modulation when going into audio rate). Also showcasing our upcoming Jeweler Cast VCA/mixer/wavefolder and Banshee Reach VCO.
2022 thank you!
It's about time to look back and thank everyone who contributed to making this year exceptional.
We'd like to use the opportunity to warmly thank all our distributors, our devoted team, our friends, our beta-testers and last but far from least all of you following us, supporting us and buying our modules.
The feedbacks we received this year on the Bard Quartet and Mod Medusa were beyond expectations and we hope we'll be able to bring you similar impressions with our upcoming modules.
Best wishes to all of you and from the bottom of our hearts big thank you for everything!Photos from Shakmat's post
Triple Steeple envelope in clocked loop mode using the input normalisation (cascading).
Makes it a complex unipolar LFO
Triple Steeple's take on the famous "bouncing ball" patch.
Self-patching looped envelopes using one to control the time of another one.
Bard Quartet Expand : adding a MIDI to CV feature to control your eurorack from any MIDI source
Last explanations about our new Triple Steeple envelope : Output normalisation
Tomorrow we're releasing our Triple Steeple demo together with the Bard Quartet expander.
Tune in on Youtube at 7PM (GMT+01) to know everything!
youtu.be/38_sZFkwKe4Photos from Shakmat's post
